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How To Play A Necromancer's Theremin

How To Play A Neceromancer's Theremin
By Chase Griffin and Christina Quay

Birds Aren't Real

Birds Aren't Real
By D.T. Robbins

The Swallows of Lunetto

The Swallows of Lunetto
By Joseph Fasano

Telepaphone

Telepaphone
By Adam Soldofsky and Alex Wilhite

Creole Conjure

Creole Conjure
By Christina Rosso

The Cult In My Garage

Salad Days
By Laura Theobald

Tell Me How You Really Feel
by Claire Hopple

The Cult In My Garage

The Cult In My Garage
by Duncan Birmingham

Papal Glow
by Blake Wallin

Maudlin House

Dreams of Being
By Michael J Seidlinger

Maudlin House

The Way Cities Feel To Us Now
By Nate Perkins

This Distance
By Nick Gregorio

Kingdom Now
By Shan Cawley

Double Bird
By Bud Smith

Good Grief
By Nick Gregorio

Manic Depressive Dream Girl
By Naadeyah Haseeb

Emoji Death Mask
By Johnny Kiosk

Exile Me
By Seyed Hamidzadeh

Portrait of the Artist
By Ross McCleary

Become Death
By Luis Neer

Depression is a Thunderstorm
By Shan Cawley

Joy
By S. Kay

Sometimes Cool Things are Terrible
By Amanda Dissinger

Every Dog I Pet in 2016
By Joseph Parker Okay

I Don't Mean to Redshift
by Beyza Ozer

Etymologizer
By Logan Ellis

101 Adages for the Millennial
by Dylan Taylor

Weather or Not
by Dalton Day


How To Play A Necromancer's Theremin

by Chase Griffin and Christina Quay

Between the pages of an ever-shifting eternal text known as the Patasphere, a coven of psychedelic fiction fanatics and a duo of agents working for a private intelligence firm known as The Geist, LLC navigate their ways simultaneously through a labyrinthian pilgrimage to the ole haunts of their favorite thoughtform, a cult classic weird fiction author named Rocco Atleby, who may or may not be both creator and destroyer of their world. Along the way, the coven and the duo encounter undulating tentacles, a magickal Parisian apartment, gobs and gobs of gooey living information known as plasmate, a smoke-filled Rocco-themed bar, the inexplicably resurfaced lost footage of a Rocco docutainment film, a music festival that evolves into an amorphous megabeast, and skeleton keys to the secrets of their Actuality in the form of enigmatic pieces of Rocco Atleby's iconography.

"What Griffin and Quay have crafted here is both a tribute to psychedelic, postmodern, and cut-up fiction and a piece of highly original, imaginative, spellbinding fiction. How to Play a Necromancer's Theremin is a weird lit superimposition that takes the reader to the very edge of the ineffable.."Autumn Levi, founding Order of the Cacti member, author of Zap Town

FICTION | 5.5" BY 8.5" | 223 PAGES

"A group of Florida stoners tour France to visit the apartment of an obscure psychedelic sci-fi writer called Rocco Atebly, who not only was a necromancer, and played the theremin like a champ, but created an apocalyptic, device called Fat Tornado Clock, that messes with other dimensions and layers of reality.Chase Griffin and Christina Quay’s novel is not a puzzle, but some esoteric kind of improv that explores Borges’ thesis on causality as the main problem of the literary arts. This narrative seeks to transcend the giant dead whale of postmodernism without undoing any of its promethean conclusions, driven by a passion that fears no ironic judgment.You may have seen a dime-a-dozen indie lit psychedelia writers exploring and at the same time ironizing their very quest to better understand their world, yet this hysterically silly and viscerally paranoid work of metafiction tries its dang hardest to sketch the blueprint of the authors’ still beating hearts: something that no posers can ever do. Maybe you read people who have read Foster Wallace, Vonnegut, Pynchon and Wittgenstein before, but trust me, you have not read Florida’s finest freaks’ meditations on the nature of reality, nor their musings over the consequences of this never-ending human quest for transcendence and authentic, spíritually meaningful living in our techno-infused carnival of political horrors called early 21th century late-capitalism."Kelvin Matheus Rosa, English literature researcher, writer and teacher from Brazil

Good
Vibes

About the authors


Christina Quay and Chase Griffin are reclusive authors and not much is known about them. It is rumored that they live in Florida, they have three children, they have pet alligators, and they spend their spare time building orgone accumulators.


Birds Aren't Real

by D.T. Robbins

Meeting minutes from a Satanic cult. Werewolves with orgasmic origins. Homemade puzzles made from human body parts. A family trapped inside someone’s leg, hurling toward oblivion. Gaslighting birds. Bicycle tours through hell in search of a lost dog. A fake-your-own-death kit. The ultimate makeover. A carwash funeral. The end of the world in the back of an old Chevy Astro. Birds Aren't Real. The absurdist examination of what awaits us all at the end—for better or for worse.

146 PAGES | SHORT STORY COLLECTION | 5.5" BY 8.5"


Book Shirts!


Birds Aren't Real shirt - Heather Black

  • 100% combed and ring-spun cotton (Heather colors contain polyester)

  • Fabric weight: 4.2 oz/yd² (142 g/m²)

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Birds Aren't Real shirt - Heather Mint

  • 100% combed and ring-spun cotton (Heather colors contain polyester)

  • Fabric weight: 4.2 oz/yd² (142 g/m²)

  • Pre-shrunk fabric

  • Side-seamed construction

  • Shoulder-to-shoulder taping

"D.T. Robbins writes like he met the Devil at the crossroads, sold his soul, and dropped acid in the underworld. The stories in Birds Aren’t Real are psychedelic fables of tunnels and ghosts, hair and graveyards, but underneath the Danse Macabre is a painful quest for love in a heartbroken world."—Kevin Maloney, author of The Red-Headed Pilgrim"A boyfriend once told me the best art leaves you disoriented. It makes you question reality, as if what changed wasn’t you—it was everything around you. In that case, Birds Aren’t Real is a masterpiece."—Danielle Chelosy, author of Cheat"The stories in Birds Are Real are so exuberant, so chaotic, so full of energy and sentiment and joy and romance and the belief in both themselves and the world around them that anything is possible — they feel a little like you've jumped in the sidecar of Evel Knievel's motorcycle for a journey across the country, around the globe, through the galaxy, while Evel points out all these beautiful moments hidden everywhere you'd never even thought to look."—Aaron Burch, author of Year of the Buffalo"Birds Aren't Real is euphoric, ridiculously funny, and so very good. These stories feel like the wild west of fiction, like pure freedom."—Amina Cain, author of Indelicacy"Anything can happen in these wild dream-like stories."—Bud Smith

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Vibes

About The Author


D.T. Robbins lives and works in Southern California with his family.


The Swallows of Lunetto

by Joseph Fasano

From Joseph Fasano, the acclaimed author of The Dark Heart of Every Wild Thing, comes The Swallows of Lunetto, the powerful story of a young couple's escape from Italian fascism at the end of the Second World War.

376 PAGES | FICTION | 5.5" BY 8.5"

"As essential as Hannah Arendt in understanding history and the heart."Pietro Federico"This journey through Italy of the 1940s, with its terror of fascism and its historical reckoning, is especially meaningful in this moment, reminding us of our own terrifying, impossible world. Fasano is a writer of special, different bravery, and The Swallows of Lunetto is a dream of a book."—Ilya Kaminsky, author of 'Deaf Republic' and 'Dancing in Odessa'“I am in awe of the great ethereal wisdom that is at the core of this journey. To read The Swallows of Lunetto is to step into a sensual, sea-woven and brutal world of war and its aftermath. As a son returns, as mothers grieve, as swallows glide, and history compiles, the novel asks what it means to forgive, what it means to love and create. Fasano’s prose is alive with the ancient and archetypal as it battles with the present moment.”—Andrés Cerpa, author of ‘The Vault’"One could argue that our strongest social awakenings happen when the past collides painfully with the present. This is exactly what happens in Joseph Fasano’s The Swallows of Lunetto. Reading this novel is both necessary and uncanny, as it draws parallels between historical Calabria and the modern world. And yet we are carried so gently through this story by Fasano’s lyricism. Yes, this is a novel, but there is poetry running through every scene, every moment, every conversation. This book strikes the perfect balance between taking humanity to task and reminding us of our beautiful possibilities."—Taylor Byas, author of 'I Done Clicked My Heels Three Times'

Good
Vibes

Maudlin House

About the author


Joseph Fasano is the author of the novels The Swallows of Lunetto (Maudlin House, 2022) and The Dark Heart of Every Wild Thing (Platypus Press, 2020), which was named one of the "20 Best Small Press Books of 2020." His books of poetry include The Crossing (2018), Vincent (2015), Inheritance (2014), and Fugue for Other Hands (2013). His honors include the Cider Press Review Book Award, the Rattle Poetry Prize, and a nomination for the Poets' Prize, "awarded annually for the best book of verse published by a living American poet two years prior to the award year."Fasano's writing has appeared in The Times Literary Supplement, The Yale Review, The Southern Review, The Missouri Review, Boston Review, Measure, Tin House, The Adroit Journal, Verse Daily, PEN Poetry Series, American Literary Review, American Poetry Journal, and the Academy of American Poets' poem-a-day program, among other publications. He is a Lecturer at Manhattanville College and a Professor of Creative Writing at Columbia University, and he serves on the Editorial Board of Alice James Books. He is also the founder of the Poem for You Series, and his latest project is a "living poem" for his son that he is live-tweeting on Twitter at @stars_poem.


Telepaphone

by Adam Soldofsky
with illustrations by Axel Wilhite

A book about friendship, covetousness, love, depravity, self-destruction, art, dreams, freaky magic, and Los Angeles.

78 PAGES | FICTION | 5.5" BY 8.5"

Adam Soldofsky


Adam Soldofsky is the author of Memory Foam (Disorder Press), recipient of the American Book Award. His cartoon series "Signs and Wonders" appears regularly on the Maudlin House website. He lives in Concord, CA.

Maudlin House

Axel Wilhite


Axel Wilhite has shown his artwork in the United States, France, the Netherlands, and Taiwan. He is a co-founder of 7x7.la, an online magazine that facilitates and publishes creative collaborations between artists and writers. He lives and works in Los Angeles, California.

Maudlin House

Creole Conjure

by Christina Rosso

Every city has a story.Behind the veil of tourism, New Orleans drips with hunger, sorcery, and secrets. One of those is Honey Island Swamp, a powerful nexus of magic outside the city limits. Its blue-green water can make you ageless and manifest carnivals out of thin air. Similar to the River Styx, it serves as the gateway between the realms of the living, dead, and in-between. And because of this power, it becomes both a haven and a battlefield for witches, humans, and other magical beings.

214 PAGES |SHORT STORY COLLECTION| 5.5" BY 8.5"


"So much of the brutal, beautiful magic of Christina Rosso's Creole Conjure is in its intricate details and how deftly they weave themselves together into a seductively monstrous, fairytale tapestry. Each one of these stories is inextricably intertwined with its sister stories-each a single coiled snake on the head of the well-groomed Gorgon. Strands of the old-world fairy tales we know are braided with the new-world characters and landscapes. In Rosso's darkly dreamy New Orleans and lush swamplands, women and girls find themselves both freed and dammned by their own bestial appetites. You can't be certain from one moment to the next who will be devouring whom."– Lindsay Lusby, author of Catechesis: a postpastoral

"Creole Conjure is one of the most original and imaginative books I've read in a long, long time. It's dark, violent, empowering, sometimes downright hysterical, and packed with enough magic and New Orleans lore you'll want to hop a plane down south with only this book as yout huide. Rosso's new collection belongs on every reader's shelf-and I wouldn't be shocked if it finds its way into a cobwebby, cauldron-bubbly occult shop near you."– Nick Gregorio, author of With a Difference and Good Grief

"Rosso weaves a rich tapestry of characters and experiences set in her otherworldly vision of New Orleans with these interconnected stories. Each piece lures the reader into some dark corner of the city or its surrounding swamps to introduce them to the local residents, whether they're a swamp siren, an overworked voodoo doll, or an usher of the newly dead. Rosso crafts even the unlikeliest of characters with care, giving nearly as much fascinating depth to a talking alligator as she does an all-powerful swamp witch. While magic and the supernatural abound in these stories, the histories and experiences of these characters are often harsh realities that give the collection a socially critical and progressive focus."- Nicholas Perilli, author of Cul-de-sac"Rosso's collection invites us to think about our own humanity - and what it means to be alive and how to live our lives. In particular, the lessons learned in each of these stories aren't always easy to swallow, but ultimately call us to live in a better world, starting with our small actions. I care about the characters in the stories, literally sitting at the edge of my seat wondering what the next page will bring, and what will happen to them. Rosso is a true master of suspense."-Joanna C. Valente, author of A Love Story and other books“In crafting Creole Conjure Christina Rosso brings equal parts imagination and an introspective eye against the backdrop of the familiar and fantastical . With witches, with sirens, with a profound darkness and buoyant light these tales will entrench you in the most wonderful kind of chaos.”- Charlie J. Eskew, author of Tales of the Astonishing Black Spark

Good
Vibes

About the author


Christina Rosso-Schneider lives and writes in South Philadelphia with her rescue pup, Atticus Finch, and bearded husband, Alex, where they run an independent bookstore and event space called A Novel Idea on Passyunk. She received an MFA in Creative Writing and MA in English from Arcadia University in 2016. Her debut chapbook, SHE IS A BEAST (APEP Publications), was released in May 2020. CREOLE CONJURE, her first full-length collection, is forthcoming from Maudlin House. Her fiction and nonfiction work centers around gender, sexuality, and fairy tales, and has been nominated for Best of the Net, Best Small Fictions, and the Pushcart Prize. When she isn’t writing or working at the bookstore, she leads various writing and occult-based workshops. Check out the events page to get information on upcoming readings and workshops.


SALAD DAYS

By Laura Theobald

A portrait of the artist at the brink of self-actualization, Salad Days is a vulnerable and evocative study of identity. Its seven sections of thirteen poems each—“Waves of Confusion,” “Moon Unit,” “Art for the Afterlife,” “Future Moods,” “Double Fantasy,” “Infinite Sadness,” and “Sour Times”— describe its melodic and mood-based movements. This is a book that pops—that celebrates weirdness and leans into fantasy. If it were a movie, it would be a dark comedy; if it were a song, it would be New Wave. As a poetry collection, it transcends genre. It’s meta, sardonic, messy, effortlessly joyful, and blithely relatable. Salad Days mines life’s dry and youthful indiscretions and relates them in these sharp and cheeky poems.

130 PAGES | POETRY COLLECTION | 5.5" BY 8.5"


“This is my favorite kind of poetry: dry, real, hilarious, sharp, surreal, poignant, unapologetically itself. Laura’s singular charmingly unmoored voice offers surprise after surprise in this collection. I started copying and pasting my favorite lines into an email draft, which quickly turned into copying and pasting entire poems, before I realized I'd soon have an email draft containing an exact copy of the book. Salad Days is ‘a planet nobody asked for’–like how the best gifts aren't requestable–a life-giving planet for self-conscious folks with thirsty imaginations, accessible only by reading. It’s a love letter to the future–not the kind of love letter that gushes with promises and pathos, the kind that arrives after truly knowing the faulted gritty humanity of another with whom you can be nothing but honest. If you lurk on social media and silently lament, ‘where did all the interesting stuff go, isn't anyone doing anything new anymore,’ this is the book for you.”– Megan Boyle, author of Liveblog and Selected Unpublished Blog Posts of a Mexican Panda Express Employee“I don’t usually like poetry. 98% of poetry is overwrought and academic and boring. But Laura Theobald is mad (like Sylvia Plath mad, not the other kind) which makes her poetry different, in the way a mad woman’s voice is always a little different. In a way I like. In a way that intrigues me. Listen to her.”– Elizabeth Ellen, author of Person/a and Her Lesser Work“Are you sure you can call it poetry if it is this fun and cool? This is a stunning collection that gives equal respect and curiosity to the simple and profound dramas of human life. I felt very uplifted reading it. Several times I thought, ‘I should get this poem tattooed on me’ and I do not normally think things like that. I think I just wanted ownership of the poems. Salad Days gives attention to the quiet moments and the cartoonish ones, and the people we lust over and the people who are ruining the world. It is delicate and unflinching and effortless and fun and so, so important.”– Chelsea Martin, author of Caca Dolce and Even Though I Don’t Miss You“Laura Theobald’s Salad Days speaks to everyone ‘invested in a life of destruction.’ At times a conversation and at others a secret rumination on purpose and desire that the reader feels privy to, Theobald’s poetry sits at the intersection of lightness and heaviness—each poem building like the ticking of a time bomb. It is often the case that one must self-destruct in order to begin again; Laura’s poetry asks what it means to be the ‘bomb.’”– Erin Taylor, author of Bimboland and Arts Editor at Observer“Something about Salad Days reminds me of Emily Dickinson—if Emily were hornier and funnier. The poems have the kind of specificity that allows them to feel universal, like some beautiful, demented collective dream. Laura Theobald really is one of the best poets we have.”– Juliet Escoria, author of Juliet the Maniac and Black Cloud“Swerving, honest, & exuberant, the poems in Salad Days document a continual knotting of simile & metaphor. The book’s self in each poem is compared to some new thing, revealing the incessant reinterpretations & positionings that the lyric mind demands of a life. Laura Theobald makes poetry look easy, how a sudden slice across the finger while chopping onions makes blood look easy."– Mathias Svalina, author of The Depression

Good
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About The Author


Laura Theobald is a PhD student in English at UGA in Athens. She’s the author of three books of poetry: Salad Days (Maudlin House, 2021), Kokomo (Disorder Press, 2019), and What My Hair Says About You (Metatron Press, 2017), and three chapbooks. She received an MFA from LSU, where she served as the editor of the New Delta Review, and continues to design books for small press publishers. Her poetry has appeared in jubilat, The Volta, Peach Mag, The Atlas Review, Everyday Genius, and Black Warrior Review, among others, and in the anthology Women of Resistance. Her criticism has appeared on The Harriet Blog. She’s on Twitter and Insta as lidleida.


The Cult In My Garage

By Duncan Birmingham

An office worker hopes a new drug will remedy her toxic personal life... A food blogger moonlights as a detective to give meaning to his gluttony… A rehabbed addict proselytizes with an increasingly bizarre methodology… Lovesick strangers try to heal through a dating app that promises a unique form of catharsis... A quarantined man starts having vivid dreams he’s convinced aren't his own... At a party where everyone’s "somebody" the crowd grows feverishly reverential of one guest's anonymity...In the prescient world of 'The Cult in My Garage', the characters are desperate for meaning and hungry for connection. Time and again, their attempts at betterment snowball into disaster or backfire spectacularly. And yet they still find ways to dust themselves off and salvage meaning.

172 PAGES | SHORT STORY COLLECTION | 5.5" BY 8.5"


"Funny, blithe, whip-smart, hilarious, of the moment and of the past, despairing yet hopeful, melancholic yet joyful -- these are a few of the words that come to mind after reading Duncan Birmingham's blissfully delightful collection of short stories. THE CULT IN MY GARAGE has it all."-Jonathan Ames, author of The Extra Man and the creator of BORED TO DEATH."Duncan Birmingham spins piercing tales populated by desperate characters trying to find their place in an ever-changing world. He's talented, he's funny, and he's a true weirdo. Enjoy a walk through his charmingly bananas brain."-Sara Benincasa, author of Agorafabulous! and Real Artists Have Day Jobs“The Cult in My Garage is the rare book that made me laugh alone in my room, made me pick up the phone and tell my sister, you should read this.”-Bud Smith, author of Double Bird and WORK“If it were 1955, Duncan Birmingham would be famous for this hyperreal book of sad funny short stories. Partly because people read short stories back then. And partly because only white men were allowed to write back then, so he would have had less competition."-Joel Stein, In Defense Of Elitism

Good
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About the author


DUNCAN BIRMINGHAM is a writer and filmmaker living in Los Angeles. He’s been a writer and producer on numerous tv shows including Maron (starring Marc Maron) and Blunt Talk. Short films he’s written and directed have premiered at film festivals including Sundance and AFI. His stories have appeared in literary magazines including Mystery Tribune, Maudlin House, nerve, Juked, 7x7, Brooklyn Vol 1 and Joyland.


Tell Me How You Really Feel

By Claire Hopple

Uncle Errol throws a funeral for himself. Bootsie spies on her own husband. Joe's band dresses in costumes and plays instruments from elementary school music class. Marco is tired of people shouting “Polo!” over his shoulder. Mallory unlocks the doors between hotel suites in case the person beside her is also searching and alone. Denise eats crayons and goes missing. Gary tries to legally change his name to get back at his sworn enemy. Tell Me How You Really Feel is the only novella set in the municipality of Murrysville, Pennsylvania.

44 PAGES | SHORT FICTION NOVEL | 5.5" BY 8.5"

“In Tell Me How You Really Feel, Hopple conjures her ensemble cast of captivating oddballs through subtle yet electric sentences that read so easy it’s as if she simply rolled tape on characters who existed long before she brought them to life and who continue to exist after she calls it a wrap. It seems a magic trick, but it’s a true feat—not messing with the destinies of these good, flawed people, having the patience and empathy to allow them their nemesis and failed heroics, their heartbreak and their humor. Tell Me How You Really Feel is flash fiction at its most charming and magnetic."-Kara Vernor, author of Because I Wanted to Write You a Pop Song"Like the old saying, "You’re born alone and you die alone," the characters in Claire Hopple’s peculiar and very funny Tell Me How You Really Feel are befuddled by most people, dooming them to a life of awkward, sometimes surly, individualism. The concerns of Hopple’s lifelike characters thread through each other, creating a cinematic tapestry evocative of a great Robert Altman movie. Combine that with Hopple’s sharp delivery and acute sense of details and Tell Me How You Really Feel becomes a small miracle."-Kevin Sampsell"Everything I want to say about Claire Hopple's writing pales in comparison to the writing itself. In her third book of fiction, she effectively reinvents the rules for short story writing for the third time. In Hopple's hands, this is a climax: The dog whimper of the door hinge and it was done. This is a description of emotion: corn-shucked and echoey. This is dialogue: "A Megabus driver is greater than a regular bus driver. It’s simple math." This is metafiction, humor, and character development: The cymbals were maybe supposed to be symbols, she would think later. And this is all from the same page. There are 45 more in TELL ME HOW YOU REALLY FEEL. What are you waiting for?"-Tyler Barton

Good
Vibes

Maudlin House

About the author


Claire Hopple is the author of two story collections and one novella. Her fiction has appeared in Hobart, Vol. 1 Brooklyn, New World Writing, Timber, and others. She lives with her husband in Asheville, North Carolina. She's just a steel town girl on a Saturday night. More at clairehopple.com


Papal Glow

By Blake Wallin

FOR A LIMITED TIME ONLY $11

(regular price $16)

Papal Glow is the time between centuries, that little dust mote trailing in the sun’s glare between folds of the partition that separates the public from true knowledge. It is the preventative strain keeping the powers-that-be at bay while the world swirls by unnoticed. This glow imbues a young boy named Leo, who must use the papacy to divide the time between those centuries, speed up modernity at the very beginning of the 19th century, and oppose the ever-growing reign of Napoleon. But as Leo grows into his papal role, the lines between what Leo wants and can achieve grow smaller as well, until Leo sets up a miracle himself and the time between centuries becomes as small as a dust mote.

230 PAGES | FICTION NOVEL | 5.5" BY 8.5"


About The Author


Blake Wallin is a writer from Atlanta specializing in poetry, fiction, and playwriting. A recent graduate of George Mason University’s MFA program in poetry, he attended the 2018 Kennedy Center Playwriting Intensive as well as the 2018 Virginia Quarterly Review’s Summer Workshop in Poetry. He is the author of two previous books, No Sign on the Island (Bottlecap Productions) and Occipital Love (Ghost City Press).


Dreams of Being

By Michael J. Seidlinger

A writer walks the entirety of New York City searching for a story, inspiration, anything to give him some direction. While navigating the busier blocks of Times Square, he stumbles upon a restaurant opening and an enigmatic man named Jiro protesting the grand opening. Believing it’s the only way to maintain Jiro’s interest, he claims to be a director, someone interested in developing a project that reveals to the world Jiro’s unseen culinary talent. Eventually, the truth comes out, and he comes face-to-face with what it means to be creative in a passionless world.

188 PAGES | FICTION | 5.5" BY 8.5"

“Dreams of Being is a taut journey into the fantasy of perfection. A novel with powerful pulse about a person seeking out a hero, hoping to understand themselves. Michael Seidlinger writes beautifully, with purpose, with skill.”-Bud Smith, author of Double Bird“I never trust people who use a middle initial, but Michael J Seidlinger is different. When I read his writing, I’m on my back, I’m having my behavior corrected: It’s teaching me a lesson. And I can see stars.”-Scott McClanahan, author of The Sarah Book“Michael J Seidlinger understands the messy mysterious business of being human, and of also looking to be wanted, needed, and validated.”-Ron Currie, author of The One-Eyed Man“Seidlinger continues his quest to become a literary chameleon, diving into new genres and remixing them into something wholly his own. His is a kingdom without borders.”-Joshua Mohr, author of Sirens“Dreams of Being is a fever dream, a religious text, a writer’s notebook, a case of mistaken identity, a love letter. Jiro is one of the most fascinating characters you will ever read, and this is Michael Seidlinger at his very best, his sentences full of his particular energy and verve. Start here. Open this book and get lost in Seidlinger’s dream. You will be drawn in by the complexity and wonder of Jiro’s story and the mystery of how to tell it and what it takes to make meaning.”-Matthew Salesses, author of Disappear Doppelgänger Disappear“Take one unexpected yet hard-won friendship, mix in sensory delights via the culinary arts, sprinkle in the pathos of (lost and found) aspirations, and you have Michael J Seidlinger's Dreams of Being. In this close narrative, Seidlinger captures the doubt, desperation, and deceit involved in finding purpose. Ultimately, is this "purpose" of our own making, or is it a prescribed notion to become someone manifested by and for others? Dreams of Being captures the relatable fear in being who we are, complexity and all.”-Jennifer Baker, editor of Everyday People: The Color of Life

Good
Vibes

Maudlin House

About the author


MICHAEL J SEIDLINGER is a Filipino American author of My Pet Serial Killer, Dreams of Being, The Fun We’ve Had, and nine other books. He has written for, among others, Buzzfeed, Thrillist, and Publishers Weekly, and has led workshops at Catapult, Kettle Pond Writer’s Conference, and Sarah Lawrence. He is a co-founder and member of the arts collective, The Accomplices, and founder of the indie press, Civil Coping Mechanisms (CCM). He lives in Brooklyn, New York, where he never sleeps and is forever searching for the next best cup of coffee.


The Way Cities Feel To Us Now

And Other Stories
By Nathaniel Kennon Perkins

Bad luck follows travelers through the desert, Mormon missionaries contemplate the bodily implications of the internal combustion engine, and minimum wage workers look for a sense of meaning in art, country and western music, and domestic terrorism. A lemon tree produces an alarming number of fruit, but nobody can manage to have a threesome. Perkins’s first collection of short stories vibrates at the chaotic frequency of the American West, a place where the states are square, the drives are long, and heartbreak is at least as much of a shit show as it is anywhere else.

170 PAGES | SHORT STORY COLLECTION | 5.5" BY 8.5"


"In the Western Lands there are people who believe in its landscapes and cities like a secret cult. To be let into this cult you have to visit several locations, Portland, its National Parks, Boulder, Santa Fe, Tucson, Flagstaff and the great Eugene. Every Western junkie knows this conversation, "Hey, you've been to Eugene, twilight at Skinner's Butte is the best." "Hey, you've been to Zion, I walked the Narrows during a flood, didn't know if I would come out alive." "The buskers in Santa Fe are the best." Nate Perkins lets you into this world of travelers, the secret passwords that allow you into the Western Lands."-Noah Cicero"Depression makes most people's memories collapse inward onto themselves. Perkins struggles with himself but knows the beautiful punctures on the the stick-and-poke world around him."-Brendan Wells, of Uranium Club

Good
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About the author


Nathaniel Kennon Perkins lives in Boulder, CO, where he works as a bookseller. He is the author of the short novel, Cactus, and the ongoing literary zine series, Ultimate Gospel. His creative work has appeared in Triquarterly, High Country News, the Philadelphia Secret Admirer, decomP magazinE, Pithead Chapel, Timber Journal, and others. He runs Trident Press.


This Distance

by Nick Gregorio

Wannabe astrophysicists and screenwriters, star gazers and time travelers, a foul mouthed Chris Hemsworth, a sitcom star lamenting her station in life while wearing a fake pregnant belly, and even a cult author kidnapped by the very secret society his work spawned—all of them get to have their say in This Distance. Dramatic, violent, comical, sad, and occasionally hopeful, Nick Gregorio’s first collection of short stories puts the human need to connect on display with grit, humor, and compassion.

189 PAGES | SHORT STORY COLLECTION | 5.5" BY 8.5"


"'This Distance' is a badass book full of meditations on the moments when we're alone, vulnerable and striving for connection."-Daniel DiFranco, author of Panic Years"Gregorio pulls you in before you even know what happened. He develops such strong plots he leaves you no choice but to binge read."-Claire Hopple, author of Too Much of the Wrong Thing"Wow, what a wonderfully deranged carnival ride!"-Joshua Mohr, author of 'Sirens' and 'All This Life'

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About the author


Nick Gregorio is a writer, teacher, reader, husband, hobbyist musician, and teeth-grinder living just outside of Philadelphia with his wife and dog. His fiction has appeared in many wonderful publications, and his first novel, Good Grief, was released by Maudlin House in 2017. He cohosts a podcast called book.record.beer, loves movies, punk rock, and comics, and buys more books than he has time to read. This Distance is his first collection of short stories.


Kingdom Now

by Shan Cawley

kingdom now is a study in the radical act of self-care after recovering from a lifetime spent fighting mental illness. Navigating its way through Appalachia and beyond, these poems fight for their ability to be heard, to be known and to be understood within the context of someone who is trying their best. Cawley's first full-length poetry collection explores the relationship between mind and body, and how they often times separate from each other in times of trauma and despair

91 PAGES | POETRY COLLECTION | 5.5" BY 8.5"


About The Author


Shan Cawley is currently a student at West Virginia University studying English with a focus in literary & cultural studies. In 2017, Shan was the recipient of WVU NAACP’s “Rising Star” Award. Her first collection of poems, 'depression is a thunderstorm and i am a scared dog', was published by Maudlin House Press during the summer of 2017. Her work has appeared in apt magazine, Crab Fat Magazine, tenderness, yea, seafoam magazine and elsewhere. When Shan isn’t writing, she is serving as a member of her university’s Student Government Association Student Senate, advocating for women’s healthcare and rights for sexual assault victims, and tweeting about something oddly specific.


Double Bird

by Bud Smith

A man finds a seashell and it tells him to do things, some bad, some good … An adjunct professor decides he doesn’t want to teach at the community college anymore, he begins a journey into the underworld, his dog at his side … A giant eagle egg is found lying on the lawn, it shakes and continues to grow larger, and larger … Let’s out go on a date with someone who has little tiny tigers in their blood … Let’s make love to a severed head … A man is crushed with a car and asks a personal favor of the driver, he wants to run some errands around town before he dies—cash this check at the bank, pick up stamps at the post office, go with you on your job interview … Double Bird. Vivd. Odd. Hurtful. Unloved. Wet with dew. Out of its mind with joy.

232 PAGES | SHORT STORY COLLECTION | 5.5" BY 8.5"


About the author


Bud Smith works heavy construction and lives in Jersey City, NJ. He is the author of Teenager (forthcoming from Vintage in spring of ’22), Double Bird (Maudlin House, 2018), Dust Bunny City (Disorder Press, 2017), among others. His fiction has been published in The Paris Review, and The Nervous Breakdown. He is also a creative writing teacher and editor.


Good Grief

by Nick Gregorio

Tony D’Angelo’s brother Nate is dead. His family is devastated, his life is thrown into upheaval, and he doesn’t want to deal with any of it. Not with his brother’s death, not with his guilt-ridden father, and not with the consequences of his erratic behavior involving his ex-girlfriend. But when he meets Mikey, a hallucination of his nine-year-old self dressed as a Ninja Turtle, Tony is forced to face all the things he’d rather not.

255 PAGES | Fiction Novel | 5.5" BY 8.5"


"Nick Gregorio is a thrilling new voice in American fiction and his debut novel, Good Grief, is as packed with emotion as any funeral and as playful as any game of Ninja Turtles. A wonderfully gripping, tender tale of youthful destruction, reluctant adulthood, and the toughest kind of brotherly love."-Katherine Hill, author of 'The Violet Hour'

"Good Grief captures the spirit of a generation raised on Social Distortion records, Sega Genesis, and Ninja Turtles. The characters have a freedom their parents never did, but also no road map for how to navigate it—as a result, they make messes in their lives, but the truly intriguing aspect of the novel is how they right their paths. In this way, Gregorio explores what it means to finally find a little bit of solace and happiness in this crazy modern world of ours."-Joshua Isard, author of 'Conquistador of the Useless'

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About the author


Nick Gregorio is a writer, teacher, reader, husband, hobbyist musician, and teeth-grinder living just outside of Philadelphia with his wife and dog. His fiction has appeared in many wonderful publications, and his first novel, Good Grief, was released by Maudlin House in 2017. He cohosts a podcast called book.record.beer, loves movies, punk rock, and comics, and buys more books than he has time to read. This Distance is his first collection of short stories.


Manic Depressive Dream Girl

by Naadeyah Haseeb

Boy meets girl. Boy loves girl. Girl loses her mind.Manic Depressive Dream Girl is a story of love as a drug you can't quit, of the manic pixie dream girl as more than she appears, and of hope and holding on.

73 PAGES | Fiction | 4" by 6"


“Manic Depressive Dream Girl is a knockout debut. Courageous, precise, and darkly funny, Naadeyah Haseeb’s prose blends pharmacology, love, and the intersections of mental illness, gender, and race into the kind of potion that undoes curses and restores humanity. More, please.”Sonya Vatomsky, author of ‘Salt Is For Curing’

“Naadeyah Haseeb is an impressively observant, funny, sweet, smart writer. Manic Depressive Dream Girl tackles addiction and sadness, the science behind it all, but more importantly it tackles the heart—the heart in color, the heart in black and white, the heart acting as engine, the heart spurring us to love, the heart lassoing another as we pull ourselves to a safer place.”Leesa Cross-Smith, author of ‘Every Kiss A War’

“Naadeyah Haseeb’s Manic Depressive Dream Girl unsettles in the best way—characters desperate to feel whole reach, in sometimes clinical and sometimes fiery ways, for each other and risk implosion. Read, with caution: this book will take root in your heart and will burn outward, consuming, and you will feel it in every inch of you.”- Justin Lawrence Daugherty author of ‘Whatever Don’t Drown Will Always Rise’

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About The Author


Naadeyah Haseeb is a writer from Raleigh, North Carolina who loves to pretend. Her writing has appeared in e Butter, Literary Orphans, Quaint Magazine, and Maudlin House.


Emoji Death Mask

by Johnny Kiosk

The first poetic endeavor by Texan author Johnny Kiosk, Emoji Death Mask is a virtual sequence on the page of sad imagery and long yawns. It is a field guide to 21st century love and life.If you’ve ever sat alone in your basement online with your eyes peeled towards the screen wishing you could be something more, your emoji death mask is here.

83 PAGES | Poetry COLLECTION | 4" BY 6"


About the author


Johnny Kiosk lives, sleeps, and checks his email in or near Houston. Sometimes he rides a bike.


Exile Me

by Seyed Morteza Hamidzadeh

Exile Me is a collection of 34 poems by Seyed Morteza Hamidzadeh.This translated edition with the original Farsi provided, navigates the tumultuous landscape of life and war in the Middle-East. Gut-wrenching verse combined with unique insights help to form this poetic snapshot that questions the morality of war in the 21st century.

202 PAGES | Poetry COLLECTION | 5.5" BY 8.5"


“Hamidzadeh’s poetry gives voice to the heartbreak of modern war. I can find no comparison to its gift. We cannot forgive the forces that have caused him such misery, but we can marvel at the transformative power of this important book.”Charles Bane, Jr., Poet Laureate Nominee Of Florida.

“Seyed Morteza Hamidzadeh transports the reader to another part of the world in his poetry book, ‘Exile Me.’ ….We are given an extremely personal, honest, and strong collection of poems that present vignettes of struggle, brutality, and war. Hamidzadeh not only gives us that strong, raw voice we desire, but an eloquent one, too…”Zach Benard, author of 'The Lost Islander.'

“Seyed Morteza Hamidzadeh’s poetry chisels pictures into your head with his dramatic imagery and striking spiritual themes. Often channeling some of the voices of the 18th and 19th Century, Seyed’s work can also follow the loose rhythm of modernity, complete with a blunt combination of violence and beauty.”Vivimus Magazine

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About the author


Seyed Morteza Hamidzadeh is a Persian poet who was born on Augist 31st, 1991 in Masshad, Iran. His poetry can be found in magazines all around the world such as the WAF Anthology, eFiction, Zouch, Vivimus, Five Poetry, Maudlin House, and the Literati Quarterly. He is currently spending his days training in a military camp so that he may better defend against militants and extremists.


Portrait of the Artist as a Viable Alternative to Death

by Ross McCleary

A novella about an Artist pushing himself to the brink in the name of his art. We’re all dying but his art can save us, or at least that’s what he says…

110 PAGES | Fiction | 4" BY 6"


“Having taken the artist into my heart, I now spend my days pretending to be an extra in a motion picture he is directing. I just sit in the background and pretend to talk and hope he is happy with my performance.The artist is clearly one of the greatest minds of our time. It will take a very sharp arrow to change this, and even then, I cannot be certain.”Ross Sutherland, author of Emergency Window

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About the author


Ross McCleary is from Edinburgh in Scotland. He says he has stories and poems published widely in print and online. He says he has had a pamphlet published by Spacecraft Press. He says he is one of the organisers of spoken word night Inky Fingers. He says he is the editor of podcast journal Lies, Dreaming. He says he is working on 2 pieces loosely linked to this book. He says he was born 9 months after Jorge Luis Borges passed away. He says a lot of things and not all of them are lies.


Become Death or Atomic Rain on the Shoulders of Atlas

by Luis Neer

Luis Neer’s second chapbook is a study in catharsis itself. The title poem is ‘Become Death’; a sermon of paranoia, burder, an revelation; a cry against the atomic bomb; an impassioned homage to Neer’s literary hero, Allen Gingsberg.

60 PAGES | Poetry | 4" by 6"


“Luis Neer lost himself in a world where a polaroid flash replaced the light of the sun. I felt frightened when I read this book. I felt broke inside my own body. Like war. Like je na sais pas quis faire. I walked into the kitchen and made tea, the water from the kettle a fire whistling eerie between the palms of my hands. I thought about the river Willamette, the water you die if you drink. I thought about loneliness, the tree the winds uprooted in my backyard. All of it felt alive, if only for that moment.”- Zachary Cosby, author of ‘Cave’

“In Become Death, Neer explores bursts of horror, loneliness, and alienation with a cold stillness that haunts over me in its own type of fallout. I see in these poems a sense of awareness and control, the type that looks at the ocean and asks how to become mist.”- Davis Land, poet, editor of Alien Mouth.

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About The Author


Luis Neer is a high school student and the author of This is a Room Where You Wait for New Language (Ghost City Press, October 2015). They live in West Virginia.


Depression Is a Thunderstorm and I am a Scared Dog

by Shan Cawley

Cawley's debut chapbook "depression is a thunderstorm and i am a scared dog" is a journey of resiliency, perseverance and subjectivity to one's fallacies. Through lyricism and descriptiveness, Cawley battles her PTSD through her interactions with others, and questions them as well her observation of the situation.

43 Pages | Poetry | 4" BY 6"


"Visceral, raw, and rich in sensory detail, Shannon Cawley’s depression is a thunderstorm and i am a scared dog is a brave account of mental illness and the way it shapes a life. Read it and weep and fight and heal."–Meredith Alling, author of Sing the Song

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About the author


Shan Cawley is currently a student at West Virginia University studying English with a focus in literary & cultural studies. In 2017, Shan was the recipient of WVU NAACP’s “Rising Star” Award. Her first collection of poems, 'depression is a thunderstorm and i am a scared dog', was published by Maudlin House Press during the summer of 2017. Her work has appeared in apt magazine, Crab Fat Magazine, tenderness, yea, seafoam magazine and elsewhere. When Shan isn’t writing, she is serving as a member of her university’s Student Government Association Student Senate, advocating for women’s healthcare and rights for sexual assault victims, and tweeting about something oddly specific.


Joy

by S. Kay

Joy Barnes is a Vancouver, BC graphic designer who mediates her identity through sultry selfies she posts on her site for a fandom. She also shares poetry and micropoetry online, while aspiring to be published. But although she’s inspired by a hot virtual relationship with her internet boyfriend, everything else falls apart, in a tornado of relentless rejection. She is bent on survival, while addressing the world through electronic devices.

92 PAGES | Fiction | 4" BY 6"


About the author


S. Kay is a quick processing @blueberrio, zapping tweet-sized stories to analyze future and fact. A Canadian Air Force brat who moved often, she now lives in Vancouver, BC, Canada. She is a queer, neurodiverse author.Her debut book RELIANT is an apocalypse in tweets. JOY explores relentless rejection through multiple electronic devices in a novella. LOST IN THE LAND OF BEARS (July 2016) is a cross-genre tale-in-tweets with quirky creatures and machines in the forest.Stories also appear in the anthologies Outliers of Speculative Fiction, 140 and Counting, and On a Narrow Windowsill.


Sometimes Cool Things Are Terrible

by Amanda Dissinger

64 PAGES | Poetry | 4" BY 6"


“Dissinger writes with a delicate balance of sadness and beauty that captures the complexities of life and love with humanity and tact. She instills in her audience these same overlapping layers of emotion, to heartrending effect. Sometimes Cool Things Are Terrible defies its own title by being very cool, but not at all terrible. It’s wonderful, really. Amanda Dissinger is a master of feeling.”– CA Mullins, author of Day Drunk Blues“Genuine and intimate, these poems are imbued with a sense of nostalgia and familiarity which makes the reader feel right at home. Dissinger’s writing is transient, simultaneously conscious of what has been, but also imagining ways to take another step forward. This collection is written with a sense of honesty usually reserved for late night conversations with close friends. Sometimes Cool Things Are Terrible is an exploration of any number of possible futures and serves as an invitation into Dissinger’s poetic world.”– Kevin Bertolero, author of From the Estuary to the Offing“Amanda Dissinger is the queen of cool and her writing reflects this. I wish I could give myself this book at fifteen while I was still learning how to love and be loved. She has mastered the soft love poem that still aggressively desires to be heard and validated. Her writing perfectly explores her relationship with others and herself, especially her own body and self-perception. Amanda Dissinger is the writer you read voraciously while also tweet at for boy advice and affirmation. In this book, you will find a friend.”– Erin Taylor, author of OOOO“Sometimes Cool Things are Terrible occupies the quiet moments of nostalgic being. Listening to air conditioners and remembering his voice. Returning to old bars as if to find a missing person. Dissinger’s poetry floats between those objects we keep and the stories that give them meaning. I read these lines like looking into a mirror, wondering— “how many years will i see you? / how many years will i be?”– Zachary Cosby, author of 21 May“Sometimes Cool Things Are Terrible pins reality under a three-lens microscope, dissecting each section before turning the magnification up and starting the process again. Amanda Dissinger’s second collection is a story of youth, waiting, mistakes, and nostalgia. SCTAT perfectly captures our brains’ ability of blurring the lines between what is and what was.”– Joseph Parker Okay, author of my phone is about to die and it hope it takes me with it

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About the author



Every Dog I Pet in 2016

by Joseph Parker Okay

throughout 2016 joseph parker okay kept notes on his phone of every time he pet a dog. at the end of the year he fleshed out each note into a journal entry of the day that was centered around petting the dog. he also recorded what phase the moon was in each day because the moon can be tricky and it seems good to keep track of it.

98 PAGES | CREATIVE NONFICTION | 4" BY 6"


“The way this book treats each of the many dogs within its pages—big and small, wild and obedient, aggressive and low-key—with tenderness and empathy makes me want to fly Joseph Parker Okay to New York the next time I need a dogsitter. These funny, personal, and sometimes surprisingly tragic journal entries capture the everyday mystery of encounters between humans and animals, as well as the comforts these fleeting relationships can bring in moments (or long periods) of darkness. I trust almost no one to care for my dog in all her wildness, but I trust Joseph and his journal.”– Liz Bowen“I've always said that poems are just a means of killing time between petting dogs. But with every dog i pet in 2016, Joseph Parker Okay has decided there's no time to waste, writing poems capture the humanity (dog-manity?) of the minutia that holds our small, small lives togethe–wait. I wonder if this book increases your chances of seeing dogs? Probably. I'd get it, just in case.”-Dalton Day, author of Exit, Pursued

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About The Author


Joseph Parker Okay lives in Tucson with his best friend/cat. He’s the author of “my phone is about to die and i hope it takes me with it” (2F2H, 2016). He tweets @verysoftlake


I Don’t Mean to Redshift

by Beyza Ozer

i’m moving away from the earth, and i don’t really mean to

50 Pages | Poetry | 4" BY 6"


beyza ozer’s beautiful and irreverent poems speak the necessary restlessness of a world in which, “we’re all just really bright specks that help make the dark look like something.” Raw and powerful, ozer’s work tethers the emotional to the scientific and offers hope for the most universal of conditions: “I know you are / lonely right now / but I have ideas.”–Holly Amos, Continual Guidance Of Air“Here is a fact: humans are celestial & celestial objects are always moving,” beyza ozer tells us in I DON’T MEAN TO REDSHIFT. ozer writes with the anxiety and frenetic unruliness of the Space Race: who will die on the moon first? ozer takes us deep into our galaxy just to remind us that even black holes and ancient objects in space look just like us: tiny, lost, and yet so animated, so aware. There are so many reminders here to never choose between any one thing and the other, but to be both, be all, be above and below, be surrounded, be related. These are poems that hope we all live and die spectacularly, and if “i could only hear one sound out of thousands,” it would be beyza ozer’s I DON’T MEAN TO REDSHIFT shaking like a universe on fire inside all of our bones.–Erin J. Mullikin, When You Approach Me at the Lake of Tomorrow and Founding Editor of NightBlockbeyza ozer invented scale. Or rather, they invented the complete blurring of scale. A planet is the size of your heart is the size of oh, we are so, so tired, & yet we are still here. beyza invented this! & I DON’T MEAN TO REDSHIFT is the unrelenting & glorious proof that any direction we look could be up.–Dalton Day, author of Actual Cloud

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About the author



Etymologizer

by Logan Ellis

Etymologizer is my emotions, your emotions, the relationships we make with certain words and the feelings to memories that we infuse in them, like exposures that can be seen right through us

54 PAGES | Poetry | 5" BY 5"


“Logan Ellis has changed the game. His debut, Etymologizer, is a surreal and forensic reimaging of a language we thought we knew. Ellis has discovered the secret formula that turns poetry into cinema. The speaker wants you to witness grief on new terms in a newly defined space; /forgery/ I’m safe, I’m safe, the world has built a cave around me. I’m safe, I’m sad.”– Katherine Osborne, author of Fire Sign“Etymologizer is an index of loneliness for a blindfolded mouth. In this dictionary on fire, Logan Ellis creates his own vocabulary for longing, crafting new origins of don't and listen and bitter. Anyone who has ever felt that “sadness too fresh to weep” or the sweet horror of being noticed will re-encounter themselves here in this catalog of fragments that reminds us how language can break our hearts and then heal around the wound.” – Traci Brimhall, author of Saudade“Etymologizer is a dynamic collection that repeatedly highlights the relationship between form and content. Ellis displays a real gift for balancing potentially incongruent impulses; a commitment to experimenting with form with a streak towards describing the particular moment — the tension between both results in an exciting palimpsest sensation while reading the poems. It is the observation, exploration, and acknowledgment of both “the alphabet” and “its own city-filled shadow” that ultimately reward the reader as the unexpected becomes expected and the familiar becomes unfamiliar.”-Junior Clemons

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About the author


Logan is pretty cool. His work has appeared in Enizagam, Eleven Eleven, A Galaxy of Starfish: An Anthology of Modern Surrealism, and Electric Cereal, among others. He's currently earning his MFA at California College of the Arts in San Francisco. He can be contacted through his blog, unknowmenclature.tumblr.com, or his twitter @bugcatcherlo.


101 Adages for the Millennial

by Dylan Taylor

Life Lessons for the 21st CenturyYou can lead a horse to water but you can’t guarantee the pipes aren’t leadA bird in the hand is cheaper than two in BushwickFrom trivial things, great tweets often ariseand 98 more adages!

104 PAGES | 5" x 5"


About The Author


Dylan is Dad who sneaks off in the small hours to write. Dylan is a writer who spends his afternoons as a dinosaur. He has work published in Scissors & Spackle, the Kentucky Review, decomP, Crack the Spine, Entropy Magazine & The Airgonaut. Work forthcoming at WhiskeyPaper. Find him on twitter @MacTaylor89


Weather Or Not

by Dalton Day

26 PAGES | Fiction | 6" BY 4"


“This chapbook is full of weather and rumors of weather, which are also rumors of dreams, which are also rooms filled with atmosphere and oxygen, and exactly the reason they are hard to inhabit, and exactly why you should hold them close and inhale.”-Chad Redden, Dream Guides podcast“This book-made me question if I know what my face actually looks like-gave me a hard time remembering what my face looks like-made it hard for me to remember the qualities of my face-may have removed my face completely and replaced it with a new one.The morning after reading WEATHER / OR / NOT, I remembered every single one of my dreams.”-Sarah Jean Alexander, author of WILDLIVES

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About the author


DALTON DAY is the author of two books, most recently Exit, Pursued (Plays Inverse). His poems have been featured in The Offing, Matador Review, Shabby Doll House, and The Art Institute of Chicago. He is the recipient of a James A. Michener poetry fellowship. He lives in Atlanta.


About us


Maudlin House is a new kind of publishing house for the 21st century. We want to challenge your perspectives, help you find your inner poet, expand your empathy, and take you to places you’ve never been.We’re devoted to publishing new forms of writing for new readers, and our commitment is fixed on highlighting where mainstream literature, pop culture, and experimental writing meet.

Pitch manuscripts (novels, short story collections, poetry collections) here.For other inquiries, including availability for podcasts and interviews, email our Editor-in-Chief at mallory@maudlinhouse.net

About us


Maudlin House is a new kind of publishing house for the 21st century. We want to challenge your perspectives, help you find your inner poet, expand your empathy, and take you to places you’ve never been.We’re devoted to publishing new forms of writing for new readers, and our commitment is fixed on highlighting where mainstream literature, pop culture, and experimental writing meet.

Pitch manuscripts (novels, short story collections, poetry collections) here.For other inquiries, including availability for podcasts and interviews, email our Editor-in-Chief at mallory@maudlinhouse.net

Contact Us

Questions, comments, concerns?



Contact Us

Questions, comments, concerns?



Pitch a Manuscript


Give us a short (up to 500 words) pitch of your manuscript.Due to the volume of submissions, we cannot send a response to every submission. If we are intrigued by your pitch, you will hear back from us. We cannot guarantee a timeframe in which your pitch will be read.